Denton and Hockx present thirteen essays treating a variety of literary organizations from China's Republican era (1911-1949). Interdisciplinary in approach, the essays are primarily concerned with describing and analyzing the social and cultural complexity of literary groupings and the role of these social formations in literary production of the period.

Denton and Hockx present thirteen essays treating a variety of literary organizations from China's Republican era (1911-1949). Interdisciplinary in approach, the essays are primarily concerned with describing and analyzing the social and cultural complexity of literary groupings and the role of these social formations in literary production of the period.

Literary Societies in Republican China provides a new and comprehensive perspective on the fascinating literary world of the most turbulent period in recent Chinese history: the Republican era of 1911-1949. Wedged between the fall of the Empire and the founding of the Communist state, the Republican period witnessed enormous social, political, and cultural changes. Traditionall...(展开全部)

Dealing with the central issue of style in literature, this groundbreaking study is a must for sinologists, but also for all students of comparative literature. Michel Hockx takes as a point of departure the observation that most writers of the Republican period adhered to a distinctly traditional practice of gathering in literary societies, while at the same time displaying a ...(展开全部)

作者：贺麦晓 （Michel Hockx，1964—），荷兰人，多年任教于伦敦大––学亚非学院，现任美国圣母大学东亚系教授兼刘氏亚洲研究院院长。他的研究著作主要关注现当代中国文学群体及其出版物与社会实践，曾发表过多本著作，另外亦涉足中国现代诗歌研究。专著有《中国网络文学》（Internet Literature in China），《雪朝：通往现代性的八位中国诗人》（A Snowy Morning: Eight Chinese Poets on the Road to Modernity， Leiden：CNWS，1994）等。 译者：陈太胜，1971年生，北京师范大学文学院教授。出版有诗集《在陌生人中旅行》、专著《梁宗岱与中国象征主义诗学》 《象征主义与中国现代诗学》 《声音、翻译和新旧之争——中国新诗的现代性之路》等。

柯伟林（W.C.Kirby），1981年获哈佛大学博士学位。曾任哈佛大学历史系主任、文理学院院长、哈佛大学盖辛葛尔历史教授、费正清东亚研究中心主任，是美国艺术及科学学院院士。1984年出版本书，备受好评；此后又发表了数篇有影响的论文，成为美国研究中国近代史的主要学者之一。其论文《近代中国的连续与变化》，论述了民国的经济计划和人才对日后大陆和台湾经济发展的作用，指出中国近代史研究不能以1949年作为界线；另一论文《中国的国际化》，展示了近代中国将国际上政治、经济、军事和文化模式本土化的努力，指出了对中国近代史的认识不能仅仅“以中国为中心”。这些论述极具影响，使得“连续与变化”和“国际化”成为西方中青年学者研读中国近代史的新视角。

贝思飞（Phil Billingsley），1945年6月出生于英国伦敦，1974年获英国里兹大学博士学位。1972-1973年间在伦敦大学现代中国研究所从事研究。现任日本大阪桃山学院大学教养学部教授。编著有《我和土匪在一起的日子——民国匪案洋人亲历记》等。

About the Author Joachim Gentz, Ph.D. (1998), University of Heidelberg, is Chair of Chinese Philosophy and Religion at the University of Edinburgh. He has published a number of monographs and many articles on China, including Das Gongyang zhuan (2001) and Keywords Re-Oriented (2009). Dirk Meyer, PhD. (2008), Leiden University, is Associate Professor of Chinese Philosophy, and F...(展开全部)

In the early twentieth century China’s most famous commercial artists promoted new cultural and civic values through sketches of idealized modern women in journals, newspapers, and compendia called One Hundred Illustrated Beauties. This genre drew upon a centuries-old tradition of books featuring illustrations of women who embodied virtue, desirability, and Chinese cultural val...(展开全部)

This book is the study of a pivotal period in which traditional midwifery, marked by private, unregulated old-style midwives, was transformed into modern midwifery through the adoption of a highly medicalized and state-sponsored birth model that is standard in urban China today. In the twentieth century, biomedical technologies altered the process of childbirth on virtually eve...(展开全部)